A FILM REVIEW ON “LIGHT MY FIRE”By BOBB BARITO.
FILM ANALYSIS BY:MICAIAH MILADY ORLANDA.
FILM TITLE:LIGHT MY FIRE.
DIRECTOR/ WRITER : BOBB BARITO
CAST: ED MORAN AS MELIES.
COLIN WALKER AS ROY.
ROSIE BENTON AS KENDRA.
DANTE PALMINTERI AS CLARK.
LIZZY DICLEMENT AS LUCY.
https://youtu.be/b79R839YfZg?si=-Ch1SEvvHy9jn08Z
A SOUTHERN SHORT FILM DRAMA.
Light My Fire is a deep mixture of agitation, renewal, and hope — a story that resonates on a profound human level, touching upon regret and reconciliation. The film left me feeling emotionally raw yet uplifted by its conclusion. From its atmospheric opening shot featuring the vulnerable main character Miles, the narration slowly opened up, adding depth and texture to its character relationships and struggles.
On a festive eve, Miles, a furious father, sets out to track down his daughter’s offender. His quest for justice is relentless — nothing will get in his way except his own conscience. The dramatic twist comes when a reprimand shows up from a different direction, adding an unmistakable moral complexity to the story. Clark’s father (Roy) directly contrasts with the repercussions of his son’s actions, adding depth to their interpersonal conflict.
Miles’ daughter (Lucy) bears visible bruises and a swollen eye, fueling her father’s rage and subsequent decisions. His intent to confront the attacker (Clark) drives the plot forward — yet it’s not the punishment I initially expected. Instead, Clark pays for his actions through domination by his own father, Roy. This dramatic twist feels both surprising and emotionally earned, reflecting realistic character struggles. Each character’s internal conflict shows authenticity, adding vivid and vulnerable performances by the actors — Lucy, brokenhearted and wounded, wants to be left alone, while Clark’s mother is disappointed by Roy’s actions. The lead actor stands out with a multilayered performance, wrestling with resentment and regret. The relationship between Clark and Lucy — Miles’ daughter — is realistic in its conflict, emphasizing reconciliation, understanding, and compassion in healing wounded hearts.
Cinematographically, Light My Fire is atmospheric and intimate, employing a rich color palette and framing that reflect the character’s internal struggles. The careful placement of the American flag, expertly composed close-up shots, and the view of abandoned houses, overgrown fields, and rays of sunset piercing through a window beautifully encapsulate the film’s mixture of tragedy and renewal. Shadows, warm golds, and deep blues add texture to the character’s depression, while a barking dog underscores the growing violence, stirred-up emotions, and further supported by a soundtrack and realistic dialogue — “COME AT ME MOTHERF***”— Miles refers to an invisible Clark (his daughter’s abuser) — adding urgency without overpowering the scenes.
The score resonates long after the film’s conclusion, adding an additional layer of feeling to the contrast in mood — from Miles’ rage to his eventual regret — delivering a powerful message about reconciliation, understanding, renewal, and healing after tragedy. Light My Fire exceeded my expectations; its slow pace drew me in much more than faster-paced stories typically do. I was profoundly moved by Miles’ impulsive drive — thinking he might destroy everything — and by the moment of silence and self-actualization when each character is left wrestling with their own judgments. This moment brings about the understanding of uncertainty that ordinary people face when wrestling with difficult choices. I certainly recommend Light My Fire to those who appreciate character-centric stories with strong emotional depth.
INDEX:BFAMP28009.
That's some great review
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