FUCK
Writer :Helen Simmons
Director :Danny Morgan
Duration: 9mins,48secs
CAST;
Brett Goldstein as Adam
Esther Smith as Sarah
Absolutely. The opening interruption—perhaps a baby’s cry at a private moment—immediately hooks you with its relatability and comedic tension.
A couple’s tender moment is repeatedly and hilariously disrupted by their baby. They increasingly elaborate and silly strategies unfold as they try to reclaim a few seconds of peace.
Parenthood means embracing unpredictability. Trying to control everything just leads to more absurdity—so you might as well laugh.
Yes—the parents escalate from gentle fixes to over-the-top solutions. Their final attempt (whatever inventive gag it is) pushes the humor just far enough without turning cruel.
They’re instantly two recognizably real people—loving, exhausted, desperate for quiet. You get them in just moments.
High—especially for a short. They communicate volumes with glances, sighs, and everyday exasperation. No line is wasted, and reaction timing is spot‑on
It’s a duo effort, but often one parent plays the “instigator” pushing bigger fixes while the other tries to rein it in—creating a fun dynamic.
They feel like partners in the trenches. Their banter and unspoken understanding show they’re in this together, which makes the gag land harder.
Clean and efficient—no frills. Static medium shots let the characters shine while highlighting the cluttered, domestic setting
A slow-motion tiptoe through scattered baby gear, or a close-up on the monitor’s blinking light, punctuates the comedy and feeling of losing control
Bright, natural lighting keeps the mood lighthearted. Framing often places baby paraphernalia in the foreground, subtly reinforcing how parenthood intrudes on every space.
It’s minimalist—a punctuating comedic sting here, a small swell there. Enough to support funny beats without overwhelming the core sound.
Excellent. You hear every screech, footstep, whispered complaint. The timing of the baby or effects hitting right on a reaction amplifies the humor.
There’s no sweeping score, just well-placed audio cues that stick—a fake lullaby at the end or an abrupt stop to underscore the final gag.
Yes—it's concise, clever, and relatable. Exactly what a short-form comedy aiming at parents should be.
Universal theme, expressive performances, tight editing, effective visual storytelling.
Doesn’t dive into deeper emotions—it’s surface-level—but that suits the genre
Lots of laughter, plus a comforting sense of solidarity (“Yep, that’s my life!”).
Definitely. Perfect for a quick share among parents or anyone who enjoys real-world, everyday humor.
A gentle reminder: chaos is part of parenting, but so is laughter. Sometimes, embracing ridiculousness is the only choice
This short film has its mission: delivering a compact, high-impact slice of life comedy. It uses only what’s necessary—great acting, relatable setup, smart visuals—to evoke smiles and maybe even a laugh-out-loud moment.
If you'd like, I can dive deeper into a particular scene or line.
Reviewed by: Worlasi Samlafo
BFAMP28025
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